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![]() Alchemical Symbols
and AllegoriesAlchemists cloaked themselves in mystery to hide their secrets from the uninitiated. But to pass their knowledge along to their chosen disciples, they wrote many books rich in allegorical and symbolical illustrations. A base metal was often symbolized by a toad, a dragon or a human being. The essence of this metal was often depicted as a white bird. Alchemists believed that chemical change could be shown in terms of human change; that a union of two chemicals was like a human marriage; that turning base metals into gold was in some way related to turning man's nature into something pure, noble and shining. The alchemists' search for the elixir of life also had other meanings: at one level it meant a quest for a perfect medicine; at another, it symbolized a desire for the realization of the whole man -- man's attempt to perfect himself.
In the illustration at right from the famed "Ripley Scrowle," an account of the work of English alchemist George Ripley, the red object in the center is the Philosopher's Stone. Ripley claimed that this Stone could be made, in seven steps, from the substance represented by the tiny human in the flask: "First Calcine, and after that Putrefye, Dyssolve, Dystill, Sublyme, Descende, and Fyxe... ." Although his claims were probably greatly exaggerated, they reportedly earned him enough to make a £100,000-a-year donor to the Knights of St. John of Jerusalem. The drawings at left are from The Crowne of Nature. The top flask illustrates the belief that when a metal is heated its spirit, symbolized by a dove, erupts from the charred body (top). Put into solution, the blackened metal is symbolized by a toad (middle). The dove going back into solution (bottom) heralds the birth of a nobler substance, hopefully gold. Questions or comments about this page?
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ROBINSON LIBRARY --> Science. --> Chemistry. --> Alchemy. This page was last updated on 07/27/2010. |
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